Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas breakfast after the bath oil painting


breakfast after the bath
mk206 about 1889 oil on canvas 119.3x105.4cm
Painting ID::  49974 		Edgar Degas
breakfast after the bath
mk206 about 1889 oil on canvas 119.3x105.4cm
   
   
     
Edgar Degas After bath oil painting


After bath
mk206 1888-1892 Oil on tempera 103.8x98.4cm
Painting ID::  49975 		Edgar Degas
After bath
mk206 1888-1892 Oil on tempera 103.8x98.4cm
   
   
     
Edgar Degas The lady wiping body after bath oil painting


The lady wiping body after bath
mk206 1889-1890 Oil on canvas 67.7x57.8cm
Painting ID::  49976 		Edgar Degas
The lady wiping body after bath
mk206 1889-1890 Oil on canvas 67.7x57.8cm
   
   
     
Edgar Degas The woman doing up her hair oil painting


The woman doing up her hair
mk206 1890-1892 Oil on canvas 82x57cm
Painting ID::  49977 		Edgar Degas
The woman doing up her hair
mk206 1890-1892 Oil on canvas 82x57cm
   
   
     
Edgar Degas Cliff oil painting


Cliff
mk206 about 1892 Oil on canvas 46x55cm
Painting ID::  49978 		Edgar Degas
Cliff
mk206 about 1892 Oil on canvas 46x55cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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